Today I’m posting about a very special short film. I discovered Fran’s Daughter in a pile of submissions back in the fall of 2010. I was immediately intrigued by this well-directed short about a woman who learns she may have been switched at birth.
The mood is set in the early frames – light creeping through a quiet house (the wallpaper a production design choice that has always stuck in my mind). The story, inspired by a This American Life episode, could easily go into soap-opera territory, but the film is excellently acted by these three women. These elements, and more, create a thoughtful drama.
Of course I had no idea at the time, but programming this short all those years ago would change my life forever. It was how I met my husband.
I am not a publicly sappy person, but as I am in Dallas on this anniversary of meeting Eric I thought it would be fun to share the film that brought us together. Just another example of how a great film changes your life course.
Grab a snack, take a break and enjoy Fran’s Daughter!
Directed by Eric F. Martin
2011 / 13 min / USA
A short film about a woman who learns she may have been switched at birth.
Less than 48 hours away from Opening Night of the 2017 Dallas International Film Festival. There’s a few new staff members on the team this year and my advice to them is simple: there’s no stopping this train, just try to keep up.
Travel for guests is still being booked as schedules change and last-minute plans are made. It’s always amazing to me how you can be talking with a film for over six weeks and the plans for travel don’t solidify sometimes until two or three days beforehand.
One of those guests that is joining us we were excited to announce last week is legendary actress Faye Dunaway. She’ll be dropping in for a brief chat before the screening of Bonnie & Clyde on opening night. Besides Bonnie & Clyde, I’m a big fan of Three Days of the Condor, which E and I watched before my trip. (We’ll have to talk about that cheesy sex scene later…)
Bringing in a guest like Fay Dunaway is no easy task – there are LOTS of small details that are set up with her management before she gets on a plane. Keeping those details organized and communicated amongst all the other filmmakers, guests and events is the trick. Think lots of emails, phone calls and little spin-off meetings.
Beyond the chaos and excitement, there are a few changes to adjust to as well. As I write, I’m sitting in the Dallas Film Society’s new office – a shared space at advertising agency, Commerce House. It has a very different feel than in year’s past. Today the last few departments are loading in to their festival hubs across the city. From today on, everyone will have their respective “homes” for the festival. As usual, you’ll find me at the theater.
What are your favorite Faye Dunaway films? What would you want to hear discussed at the Docuseries panel? Let me know in the comments!
My suitcase weighs 49.5 pounds. It is packed to capacity. The other bag is full of shoes. Why a bag just for shoes? Because when you stand on your feet for 12+ hours a day (sometimes running into a theater) one or two pairs of shoes for two weeks is not going to work.
I’m ready for more BBQ and breakfast tacos, familiar faces and a big Texas sky. Plus Whataburger. I’ve been craving it all week.
Keeping it short and sweet on this travel day. Here’s a few odds and ends that have been on my mind lately:
A new podcast from the crew of This American Life and Serial! S-Town is here on March 28. I’ll be binging on my flight post-festival, until then no spoilers please!
ICYMI, Cate Blanchett & Richard Linklater start shooting the adaptation of Where’d You Go, Bernadette this summer.
I was sad to hear of the passing of Amy Krouse Rosenthal earlier this month. In case you missed it, grab some kleenex and read one of the of her last (beautiful) essays.
One of the tricks about finding a place to live in LA is figuring out how far you are from the freeway or airport, both as a convenience and for all the noise/pollution. You can look up your neighborhood here: National Transportation Noise Map. #NoiseNerd
Late March/early April is FULL of great film festivals. Kudos to all my friends out there making it happening with amazing lineups this year. Indiewire (which use to have larger coverage of film festivals in general) has a post that gives a run down of some announcements.
This: “At the root of this is the American obsession with self-reliance, which makes it more acceptable to applaud an individual for working himself to death than to argue that an individual working himself to death is evidence of a flawed economic system. The contrast between the gig economy’s rhetoric (everyone is always connecting, having fun, and killing it!) and the conditions that allow it to exist (a lack of dependable employment that pays a living wage) makes this kink in our thinking especially clear. “