Festival Travel: Dallas International Film Festival 2017 part 1

Less than 48 hours away from Opening Night of the 2017 Dallas International Film Festival. There’s a few new staff members on the team this year and my advice to them is simple: there’s no stopping this train, just try to keep up.

Travel for guests is still being booked as schedules change and last-minute plans are made. It’s always amazing to me how you can be talking with a film for over six weeks and the plans for travel don’t solidify sometimes until two or three days beforehand.

DIFF 2017 Magnolia
The Magnolia Theater in West Village

One of those guests that is joining us we were excited to announce last week is legendary actress Faye Dunaway. She’ll be dropping in for a brief chat before the screening of Bonnie & Clyde on opening night. Besides Bonnie & Clyde, I’m a big fan of Three Days of the Condor, which E and I watched before my trip. (We’ll have to talk about that cheesy sex scene later…)

Bringing in a guest like Fay Dunaway is no easy task – there are LOTS of small details that are set up with her management before she gets on a plane. Keeping those details organized and communicated amongst all the other filmmakers, guests and events is the trick. Think lots of emails, phone calls and little spin-off meetings.

Sunday will be a big day for me: I’ll be hosting a panel about Docuseries with Nat Geo showrunner Kurt Sayenga and ESPN’s “30 for 30” series (and OJ: Made in America) producer Deirdre Fenton and a Q&A with the legendary activist Dolores Huerta.

Beyond the chaos and excitement, there are a few changes to adjust to as well. As I write, I’m sitting in the Dallas Film Society’s new office – a shared space at advertising agency, Commerce House. It has a very different feel than in year’s past. Today the last few departments are loading in to their festival hubs across the city. From today on, everyone will have their respective “homes” for the festival. As usual, you’ll find me at the theater.

DIFF2017 staff trio
DIFF staff taking a chips & queso break: Jessica Tomberlin (Publications & Digital Media Editor), James Faust (Artistic Director) and Keith Arnold (Print Traffic)

What are your favorite Faye Dunaway films? What would you want to hear discussed at the Docuseries panel? Let me know in the comments!

Festival Travels: Arthouse Convergence 2017

Today I am off to Utah for 10 long days of films, festing, meetings and screenings. The Sundance and Slamdance Film Festivals start later this week, but first I’ll be in Midway to attend the Art House Convergence and Film Festival Alliance conference. It’s my first time attending the conference and I’m not sure what to expect.

From what I’ve heard, this conference is informative and friendly. Seeing people at Sundance is always a hustle, but this conference is more relaxed. You’re not rushing to make a movie or navigating your way through a crowded party. There’s time to sit down, get to know people and chat. My hope is to make a few new connections and meet the folks I’ve only heard about by name or email address for years.

The conference schedule is full of different panels and I’m still debating on which ones to attend. One topic of interest to me is “Cultivating a younger audience”(aka how do you get 21-year-olds to buy tickets, engage in cinema and have them not snap chat in the theater the whole time?). This is something everyone struggles with. I hope the panelists share ideas that worked for them and don’t just complain about how it’s an issue (because that we already know about).

Last fall I volunteered with another attendee to curate the speakers on a panel called “Cultivating Your Lineup”. The discussion includes festival programmers and distributors who will share experiences about investing or supporting relationships and navigating the politics of programming. Relationships are a huge part of programming for festivals. People come in and out of different work circles and connect you with other artists all the time. As with most industries, your success is often dependent on your network. That network could also mean that films come across your path for political reasons and there’s a balance between what you want and what may help your organization for the future based on a certain connection. (This topic is a long one in and of itself. To be discussed!) I’m curious to hear what our panelists think.

My new business cards and snow boots are packed. Excited to let the cinema and logistics nerd in me come out to play and share ideas on the work of theaters and festivals. Some of those thoughts may appear here in the future, so stay tuned!

What panels do you think look the most interesting? Let me know if you think there’s one I should attend in particular. And how many days will it take before you think I’ll be tired of the snow?