Sunday Mornings

It’s a rainy-like, cool first weekend of May here (and apparently in Yosemite too), so I’ve only been half-productive with my time. I’m mostly dreaming of next weekend when I finally have a proper vacation in one of my favorite places in California, celebrating my one year wedding anniversary with E.

While work is in a bit of a lull, personal life has been crazy town the last few months (with various announcements to come over the next month). Unplugging – and no cell phone service – for a long weekend will help.

Before I do unplug, here are a few highlights that piqued my interested online since my last Sunday Morning post. Curious to hear your thoughts in the comments.

  • Saturn drive (err…fly) by! Anyone else look at this photos and think…what exactly am I looking at here?
  • These pretty, bright desktop wallpapers put me in a summer mood.
  • The media bubble is real. This interesting article speaks to why that is: where the journalism industry jobs are, the overall shift from print publishing to online publishing and the economics behind specialized industry clusters.
  • Currently reading: David Simon’s Homicide: A Year on the Killing Streets.
  • I have to admit, I am intrigued by the Fyre Festival epic meltdown. In event production world, it has been all anyone is posting about (besides health care, of course). My favorite piece is still Chloe Gordon’s account. Forgetting to make people sign NDAs: amateur and crazy dumb. So many awful bros making so many ignorant and ego-driven decisions.
  • Small self-promotion plug: I was honored to join the stellar programming team at the Seattle International Film Festival this year. You can check out the full lineup here, and read some of the programmer’s picks including mine, here. SIFF runs May 18 through June 11. More on SIFF to come!
  • Cup of Jo ran a great series in April with food industry experts. Here’s a summary of their favorite tips.
  • While we were multi-tasking on something random, I streamed Blank Check (1994) for Eric. I hadn’t seen it since I was a kid and man, oh man, it is super creepy. In regards to the FBI agent: what grown-ass woman would flirt with a child? And if the roles were reversed and it was a man with a 12-year-old girl – nope, the movie would not be made. Ick. Ick. Ick.
  • I missed the memo on the yellow crayon, but blue is my favorite color so I guess this trade-off is ok?
  • There are days when I’m moving through the city and think “damn, there are a lot of people here.” Like 4 million to be exact.

Cheers to the rest of your weekend… and here’s for a little more kindness in the world ahead.

DIFF 2017: The lineup

Part of what has made the last few weeks so crazy has been locking down a program. For the last eleven years, I’ve been lucky to be part of the programming team at the Dallas Film Society. This week we’re announcing the 11th festival program and I couldn’t be more proud of this lineup accomplished with my colleagues, James Faust (Artistic Director) and Daniel Laabs (Programming Coordinator).

I often compare the Dallas International Film Festival as being like a child for me. I’ve seen it birthed from nothing to supporting it through growing pains and now entering a new decade. This festival and it’s programming has been a big part of my life – I have met incredible friends, amazing artists, even my husband, through my work with DIFF. My experiences working with DIFF have helped shape me into the person I am today.

A lot of emotion and thoughtfulness goes into each film selected and where/why it plays within the entire event. It is a GIANT puzzle piece. Is this group/community/audience/voice represented? Is this topic covered? Will this film stimulate a conversation that needs to happen? How does it work counter to this other film? Are we piecing together any themes? Then you have to actually schedule them.

One of the hardest parts is keeping it a secret and containing my excitement around what I am working on. The announcement is like a breath of fresh air. To be working for months and finally having something to share is a thrill. It feels like a huge weight has been lifted.

Two very cool highlights to mention include a spotlight on one of the best years in cinema history, 1967, and L.M. “Kit” Carson Maverick Honoree, David Gordon Green.

Bonnie & Clyde
Bonnie & Clyde (1967)

My programming with DIFF focuses mostly on documentary features and shorts. While I’m proud of the whole festival program, I am particularly excited about the Documentary Competition, Showcase, Deep Ellum Sounds and Shorts Competition sections. These are films you’ll hear about later. Filmmakers that should be on your radar. My goal is to bring the best of what I see to Dallas audiences and this program reaches that goal and then some. The 2017 lineup includes a total of 122 films. That’s at least 122 friends being added to my DIFF family. What a great feeling.

Quest
Quest (2017)

Take a look at the 2017 DIFF program here. I’ll be discussing more about DIFF in the coming weeks, so stay tuned.

I’d love to hear what you find interesting in this lineup or if you have any particular questions about the process you’d like me to cover over the next few weeks. Let me know in the comments!