My suitcase weighs 49.5 pounds. It is packed to capacity. The other bag is full of shoes. Why a bag just for shoes? Because when you stand on your feet for 12+ hours a day (sometimes running into a theater) one or two pairs of shoes for two weeks is not going to work.
I’m ready for more BBQ and breakfast tacos, familiar faces and a big Texas sky. Plus Whataburger. I’ve been craving it all week.
Keeping it short and sweet on this travel day. Here’s a few odds and ends that have been on my mind lately:
A new podcast from the crew of This American Life and Serial! S-Town is here on March 28. I’ll be binging on my flight post-festival, until then no spoilers please!
ICYMI, Cate Blanchett & Richard Linklater start shooting the adaptation of Where’d You Go, Bernadette this summer.
I was sad to hear of the passing of Amy Krouse Rosenthal earlier this month. In case you missed it, grab some kleenex and read one of the of her last (beautiful) essays.
One of the tricks about finding a place to live in LA is figuring out how far you are from the freeway or airport, both as a convenience and for all the noise/pollution. You can look up your neighborhood here: National Transportation Noise Map. #NoiseNerd
Late March/early April is FULL of great film festivals. Kudos to all my friends out there making it happening with amazing lineups this year. Indiewire (which use to have larger coverage of film festivals in general) has a post that gives a run down of some announcements.
This: “At the root of this is the American obsession with self-reliance, which makes it more acceptable to applaud an individual for working himself to death than to argue that an individual working himself to death is evidence of a flawed economic system. The contrast between the gig economy’s rhetoric (everyone is always connecting, having fun, and killing it!) and the conditions that allow it to exist (a lack of dependable employment that pays a living wage) makes this kink in our thinking especially clear. “
It has been a long ten days. It feels good to eat three regular meals a day and sleep in my own bed again.
Early last week I attended Art House Convergence in Midway, Utah. This was like Sundance-light. Lots of networking and conversations not based around “what have you seen?” or “what have you liked?”. It was more “what kind of work do you do?”. It was refreshing. Attendance for this conference nearly doubled from last year. If this trends continues, I may be hard to hold the event in the resort again. The Film Festival Alliance hosted panels within Convergence, many of which I attended.
Most of the panels were nothing to write home about. The topics were often too broad to get into the nitty-gritty of problem solving or discussion. The “Cultivating Your Audience” panel was particularly frustrating. All the panelists were over 45-years-old and two of them programmed venues on college campuses. The panel failed to even discuss what they defined as “younger” from the beginning: High school students? College? 26-year-olds? Finally one panelist said “anyone who hasn’t had kids yet”. But even this is a wide gap. I am in a very different lifestyle from my 23-year-old sister-in-law, but we’re both considered “younger” by that definition. My frustration grew. Panelists focused on “throwing more parties!” or “students don’t want to see movies, so you need to include them in the work”. No fresh ideas were shared. As someone who is on the older edge of the millennial generation, it was insulting, uncreative and very disappointing. After 30 minutes, I got up and left. (Apparently, some of the other, younger attendees were frustrated too and spoke up as the panel was ending.)
Other panels on programming discussed the ecosystem of the art house cinema industry, but many of these conversation turned into people airing frustrations towards distributors. Again, nothing fruitful here.
One night I attended “Art House Tales”, a presentation of managers/programmers from seven different art house theaters speaking about their theater’s history and programming for seven minutes. To hear from an eclectic group of theaters on how they are working in their communities and their personal success stories was quite interesting. Note to self: Next time I’m in Chicago, I want to check out the Music Box Theatre!
The better experiences were the more intimate conversations with fellow theater managers and programmers. After a panel that discussed the numbers from three different festivals – ranging in age from start-up to 15+ years old – I spoke with moderator and friend Matt Bolish (from Film Society of Lincoln Center). While informative (I had no idea a particular regional festival had a $4 million budget!) this two hour panel was dense. Matt and I discussed how it may be better to have mentorship like meetings with those you want to learn from based on a person’s years of experience and scale of festival operation. Hearing what the board members of FSLC pay to that organization is VERY different from what board members from a second year festival may commit. There’s so much context to share and details to unpack, yet little time to go deep. I’ll be sharing our ideas with the Film Festival Alliance and hope that something more structured and intimate can be created within the conference. I finally met a few distributor reps I’ve only known through email for years and other festival directors that are starting small, niche festivals. While the meals we chatted over were bland (hotel food, sigh), the conversations help create a stronger understanding and bond. That’s how this conference was successful.
On the final night of Convergence, I walked through the Ice Castles behind the Homestead Resort with my friends from the Seattle International Film Festival and Cleveland Film Festival.
Apparently these ice castles are a very Utah thing, but I’ve never been to one before. I wasn’t expecting much, but it ended up being very fun. We each went down one of the slides made of ice and immediately felt like a kid again. It was 15 outside and I stayed as long as I could before my hands started to freeze.
I’m unsure if I’ll attend Convergence in the future. Adding those three days to my Sundance trip took a toll. By day three of the festival, you are actually on day six and your body feels it. I’m curious to see what both Art House Convergence and Film Festival Alliance plan for the future. Depending on how the program changes and grows, it may be worth another trip.
Once the conference ended, it was on to Park City and the Sundance Film Festival. Check back next week for more thoughts on this year’s fest and films!
The New Orleans Film Festival kicks off its 27th annual event this week, running from October 12 to 20, 2016. I was privileged to attend this festival three years ago as a Juror and had a blast. The NOFS team, led by Executive Director Jolene Pinder, knows how to put on a show and treat filmmakers well. Between the creative and very New Orleans-based parties, the community of filmmakers and the many local film fans this is a wonderful, festive atmosphere to eat, drink and happily sink into film screenings for a week.
If you are lucky enough to attend NOFF this year, here’s a few of the programs I recommend checking out:
Opening Night & LBJ: Coming off its premiere at TIFF, Rob Reiner’s latest film about President Lyndon Johnson (played by Woody Harrelson) will kick off the festival. NOFF had by far one of the best Opening Night events I have attended. They fully embraced and celebrated the local scene, having a second line parade from the film to the party, where live jazz and brass band continue to play throughout the evening.
FARMER/VETERAN: I was honored to host the world premiere of this intimate documentary at DIFF earlier this year. It follows Alex Sutton, an Iraq vet with PTSD, as he attempts to rebuild a life and family by creating a farm at home. It’s a haunting and honest portrait of a soldier.
WHITE GIRL: Filmmaker Elizabeth Wood is a force. She’s definitely one to watch and this feature is proof.
CONTEMPORARY COLOR: The Ross brothers’ latest captures a rare and unique live event with performances by David Byrne, Nelly Furtado, St. Vincent, Ira Glass, tUne-yArds and others.
Short films: Short films are always a treat and important as I’ve mentioned before. NOFF has a great lineup of shorts this year. While I haven’t seen it yet, I must highlight THE NEW ORLEANS SAZERAC in the “Louisiana Stories: Act Three” block. I am so intrigued and love the synopsis (and the cocktail)!
In between films and festival parties, be sure to check out a few of my favorite spots for a taste of New Orleans. (Plus, there are things to do beyond Bourbon Street y’all.)
Treat yo’self to an amazing meal at Cochon or Herbsaint. You won’t regret it. I’m drooling just thinking about it. (Reservations encouraged.)
Speaking of Sazeracs, sip one at the beautiful Sazerac Bar inside The Roosevelt. #NewOrleansClassyDrinking #Adulting
If you can manage to get a seat, take a spin on the Carousel Bar & Lounge at Hotel Monteleone and order a Vieux Carre.
Congratulations to Clint Bowie and the programming team on a great lineup! And best wishes to Jolene as she moves on to new and exciting work after this year’s festival. It will be strange not to see her at the helm of NOFS, but I’m looking forward to what the future holds for her and the film society.
Have you attended NOFF before? Are you excited to see any films in their lineup? What’s your favorite restaurant in New Orleans? Tell me in the comments below.